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Although horror shows on television are popular in the 1990s thanks to the success of Chris Carter's The X-Files, such has not always been the case. Creators Rod Serling, Dan Curtis, William Castle, Quinn Martin, John Newland, George Romero, Stephen King, David Lynch, Wes Craven, Sam Raimi, Aaron Spelling and others have toiled to bring the horror genre to American living rooms for years. This large-scale reference book documents an entire genre, from the dawn of modern horror television with the watershed Serling anthology, Night Gallery (1970), a show lensed in color and featuring more graphic makeup and violence than ever before seen on the tube, through more than 30 programs, including those of the 1998-1999 season. Complete histories, critical reception, episode guides, cast, crew and guest star information, as well as series reviews are included, along with footnotes, a lengthy bibliography and an in-depth index. From Kolchak: The Night Stalker to Millennium, from The Evil Touch to Buffy the Vampire Slayer and Twin Peaks, Terror Television is a detailed reference guide to three decades of frightening television programs, both memorable and obscure.
- Sales Rank: #1184082 in eBooks
- Published on: 2008-05-09
- Released on: 2008-05-09
- Format: Kindle eBook
From Booklist
With the popularity of The X-Files and horror movies, producing a reference work on television series featuring terror is a timely effort. Not only do genre aficionados want to compare productions, but social anthropologists and the mass media may find this information revealing.
Muir writes reference works on television regularly for McFarland. This volume has the same format as his other television series works and shows his thorough research and expertise. He begins his coverage with Rod Serling's Night Gallery, which debuted in 1970, because the program "was the first prime-time, color network TV series devoted exclusively to macabre tales." Muir also notes that special effects and sophisticated makeup reached a higher level with the opening of Planet of the Apes in 1968. Coverage is limited to "live" productions aimed at adult audiences, so cartoon series are not treated.
The volume is divided into three parts: the series themselves (comprising about 85 percent of the work), series similar to the genre, and a number of appendixes providing the author's own classifications of terror elements. An adequate index refers to key people and titles.
In part 1, each of the 40 series is arranged chronologically and allocated from 3 pages (for a show that lasted only a couple of episodes) to more than 40 pages (for The X-Files); entries average about 20 pages. Each entry begins with a few quotes from critics, then explains the series format, traces the program's history, provides a critical commentary reflecting the author's personal point of view, and finishes with a listing of each episode (writer, director, airdate, guest cast, and short plot summary). History and critique overlap somewhat because the author tends to editorialize about each series' rise and fall. The reader can tell that Muir is well versed in his subject, but a greater variety of opinions would have been welcomed; in general, he waxes enthusiastic about most efforts. The tone is factual yet personal and clearly shows the author's perspective (e.g., "The first complaint came from the moral watchdogs, those despicable people who make a living telling other viewers what they should or should not watch.")
Part 2 briefly covers other television series that touch upon terror. Most are grouped under "Anthologies" such as The Outer Limits. Among other groupings are "'Man-on- the-Run' Series" (Nowhere Man) and "Horror Lite" (The Munsters Today). This section is rather limited.
Part 3 is, frankly, fun. Muir lists his favorite (The X-Files being the natural pick) and his least favorite terror series. Probably the most insightful appendix is a list of 50 common concepts in terror TV (astral projection, dreams, vampires, etc.), with a list of illustrative episodes. Another appendix lists "sups" (supporting actors) who appear in several series. The usual McFarland reference format holds: two columns, no illustrations, dense text.
Coverage is sound, and the author's dedication to the genre is sincere and informed. For larger collections with a readership in this area, the volume provides useful information. RBB
Copyright © American Library Association. All rights reserved
Review
"Analyses are first-rate...superlative television history" -- -Big Reel
"highly readable, extremely literate…definitive…a thorough evaluation of each program…all film libraries will want a copy." --Booklist
"Exhaustive" ---Interzone
"Informative and entertaining" ---ARBA
About the Author
John Kenneth Muir is the author of more than 20 reference books covering science fiction and horror on film and television. He is creator of the Internet sci-fi series The House Between.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Twin Peaks Is Terror Television, Really???
By Mr. Math Expert
Twin Peaks is one of the worst television shows of all time.
How anyone can survive watching second season in full is beyond me. If you liked it and will defend it to death, your brain definitely must have melted. The reason why it was promptly canceled is because it literally lost millions of viewers in a matter of weeks.
With the exception of Twilight Zone and Tales from the Crypt, the rest of the shows are not worth bothering with. The book is too thick and filled with junk information.
All in all, pass this one.
6 of 6 people found the following review helpful.
terrorific
By James Christopulos
There are many of us who grew up with, and absolutely love, the TV shows that gave us goosebumps and nightmares in our youth. While some of the older shows (like Twilight Zone and The Outer Limits) have been exhaustively written about in both books and magazines, later fright fests have been largely ignored by scholars and historians. That's where this excellent book comes in. Starting in the year 1970, Terror Television gives in-depth coverage to all of the American horror programs that follow. Each decade is well-represented and includes the famous (Rod Serling's Night Gallery, Kolchak The Night Stalker [70's]; Tales from the Crypt, The Hitchhiker [80's]; Twin Peaks, X-Files [90's]), the not-so-famous-but-known-by-fans (Ghost Story, The Sixth Sense [70's]; Freddie's Nightmares, Monsters [80's]; Nightmare Cafe, Dark Shadows [90's]), and the downright obscure (does anyone remember the U.S. airing of Australia's Evil Touch in '73?). In all, Muir delves into twenty seven shows and icludes a section on critical reception, format, history, his own critical commentary, and (an extremely useful) episode guide for each. He's a fine writer who clearly has an extensive knowledge of (and unbridled enthusiasm for) his topic. I love this book and, if you're a fan of these kinds of shows, you should have this on your shelf at home. It's the kind of book that one returns to often.
6 of 6 people found the following review helpful.
Horror on the small screen...
By Joseph C.
People seem to enjoy being scared out of their wits. Big-budget movies have done it with relative ease, but trying to portray terror in a 30 or 60 minute TV show, complete with commercials, is a bit more difficult. There have been some major successes ("Kolchak: The Night Stalker", "The X-Files", "Buffy" and "Angel", but there have been some real dogs ---anyone remember 'Manimal'? This author presents the definitive work on TV horror shows, starting with Rod Serling's "Night Gallery." He reviews each episode, gives complete cast/crew credits, and doesn't waste words in analyzing each show. "Boos" and "ghouls" of all ages will find this a treasure-trove of TV terror.
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